KLANGELEGENHEITEN
Longer and more complex projects require not only a sound designer, but a complete team for sound production. The benefits of a team are mutual control, motivation, and input, as well as complementary expertise, an increase in the workload and ultimately the overall quality of the final product. In the following, I briefly present some of my colleagues with whom I am in close contact and which might be available for such projects.
Network
BACK FOR GOOD
feature film - 90 min
director: Mia Spengler
sounddesign / foley edit / mix
DARK BLUE GIRL
feature film - 100 min
director: Mascha Schilinski
foley record / foley edit
MILLENNIALS
feature film - 70 min
director: Jana Bürgelin
additional sounddesign / dialogue edit
HORIZON: ZERO DAWN
commercial / trailer - 2 min
director: Cornelius Schick
sounddesign / mix
L'ARIA DEL MOSCERINO
animation - 4 min
director: Lukas von Berg
sounddesign / mix
SCHÄFERSTÜNDCHEN
point and click adventure
director: Thorsten Fietzek
sounddesign
LILITH
animation / trailer - 90 sec
director: Michaela Gote
sounddesign / mix
FLO
animation - 90 sec
director: Nora Marie Back
sounddesign / mix
NEIGHBOURWOOD
animation - 4 min
director: Fynn Große-Bley,
Eddy Hohf und Patrik Knittel
sounddesign / mix
ATTRACTION
experimental film - 3 min
director: Christiane Goppert
sounddesign / mix
ICHRONIA
explanatory film - 7 min
director: Simon Greiner
sounddesign / mix
SONG OF A TOAD
animation - 7 min
director: Kariem Saleh
sounddesign / mix
LOS MARIACHIS - ITFS
animation - 2 episodes à 90 sec
director: Guy Shahaf and
Nina Prange
sounddesign
CHEVEYO
experimental film - 5 min
director: Abini Gold
sounddesign / mix
SOMETHING'S FISHY
animation - 5 min
director: Nina Prange
sounddesign / mix
OUT OF THE BOX
short film - 15 min
director: Caroline Siegner
sound recording / sounddesign / mix
Laura Schnaufer
sounddesign and mix